Keywords
Graphic design
Imagery
Application analysis
Submitted : 2022-12-13
Accepted : 2022-12-28
Published : 2023-01-12
Abstract
The graphic design industry has been developing rapidly in recent years. People have begun to focus on steering the development of graphic design in the direction of localization, integrating more traditional Chinese elements, raising the level of acceptance toward graphic design content, and disseminating traditional culture on this basis. Ink art plays an important role in the process of historical and cultural development. It uses simple color contrast to construct different situations and possesses unique artistic charm and cultural heritage. Incorporating ink elements into graphic design may enhance the graphic design style and provide inspiration. This article focuses on the reasons, advantages, and strategies of using ink art in graphic design imagery, hoping to provide references for graphic design activities.
References
Li C, 2018, Research on the Application of Ink and Wash Artistic Conception in Modern Graphic Design. Modern Communication, 2018(08): 136–137.
Bi X, Chen W, 2018, The Application of Traditional Ink Art in Modern Graphic Design. Journal of Suzhou University, 33(09): 93–96 + 102.
Qin D, 2017, Research on the Application of Ink and Wash Elements in the Graphic Design of Tea Advertising. Fujian Tea, 39(07): 154–155.
Hu Y, 2017, Exploration of the Application of Ink Painting in Graphic Design. Journal of Jilin Normal University of Engineering Technology, 33(12): 59–61.
Wu J, Dong K, Wang J, 2021, Research on Embedded Application of Traditional Ink Elements in Modern Graphic Design. Journal of Beijing Institute of Graphic Communication, 29(12): 47–49.
Cheng F, 2017, Form and Invisibility – Research on the Visual Tension Expression of Ink and Wash Elements in Graphic Design. Art and Design (Theory), 2(10): 33–35.
Tang D, 2021, A Brief Reading of the Ink and Wash Feelings in Jin Taiqiang’s Graphic Design Works. Footwear Craft and Design, 2021(17): 91–93.
Jiang Y, 2021, Analysis of the Application of Traditional Chinese Ink Painting in Contemporary Design. Western Leather, 43(16): 62–63.
Li X, 2021, Application Research of Traditional Ink and Wash Elements in Modern Graphic Design. Papermaking Equipment and Materials, 50(02): 109–111.
Han Y, Sun Z, 2017, Research on the Application of Traditional Chinese Ink Symbols in Graphic Design. Modern Communication, 2017(05): 86.
Lu X, Zhang Z, 2021, The Application of Ink and Wash Elements in Graphic Design – Taking the Poster Design of “Mo Yun Liaozhai” Series as an Example. Western Leather, 43(04): 45–47.
Qi B, 2017, Talking about the Application of Traditional Ink Elements in Modern Graphic Design in Tea Packaging. Fujian Tea, 39(04): 125–126.
Xu H, 2017, On the Design Characteristics of Ink Art Language. Journal of Chifeng University (Natural Science Edition), 33(12): 38–39.
Chen X, 2020, Application of Traditional Chinese Ink and Wash Elements in Modern Graphic Design. Journal of Jingdezhen University, 35(04): 91–95.
Wang M, 2020, Discussion on the Integration of Traditional Ink and Wash Elements and Modern Graphic Design. Architectural Science, 36(05): 149.
Liu Y, 2020, Reflections on Integrating Ink Elements into the Teaching of Visual Communication Design. Drama House, 2020(07): 151.
Shang L, 2019, The Application of Ink and Wash Elements in Graphic Design. Packaging Engineering, 40(18): 246–249.
Zhang N, 2019, Research on the Application of Ink Painting Elements in Graphic Design. Chinese Journal of Multimedia and Network Teaching, 2019(08): 237–238.
Yang Q, 2017, The Application of Chinese Traditional Cultural Elements in Contemporary Graphic Design. Art Technology, 30(04): 299.
Chen C, Huang X, 2018, The Expressive Technique of Experimental Ink Painting and Its Application in Graphic Design. Hunan Packaging, 33(06): 65–68.