A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation

Abstract

Watercolor painting is a western painting method, which is concerned with the relationships of light and shadow as well as brightness and darkness. Chinese painting includes brush painting and ink painting; there is a special painting method that is known as “boneless painting.” This technique involves painting directly with color without outlining, and it is between brush painting and freehand brushwork. Both, boneless painting and watercolor painting are rich in color expression, and their techniques have many similarities in expressing the relationship between man and nature as well as the inner feelings of the painter. Watercolor painting was introduced to China from the West at the end of the 19th century, and it soon became a popular type of painting. The technique of brush painting in boneless painting has a history of several thousand years, from the Warring States period to the Song Dynasty. It pursues the shape of modeling and focuses on realism. Boneless painting, on the other hand, is mainly concerned with flowers and birds, between brush painting and painting with a sense of style, without outlining, directly painting flowers and leaves with colors or ink. They are both painted with brushes on paper, and they use water as a medium to mix pigments. The wet and dry intensity of watercolor painting as well as the interplay of ink and colors in Chinese painting have both developed their own unique charms. The two different types of painting represent the cultural epitomes of two different nationalities. In contemporary times, the techniques of watercolor painting and Chinese painting can be learned from each other. This paper explores the different connotations and expressions of boneless painting and watercolor painting through the combing of watercolor and Chinese painting techniques.