Su Shi can be described as a true genius of his time. Whether in poetry, lyrics, songs, fu, or in life itself, his charismatic personality and rare optimism make him a once-in-a-century talent. This paper takes Su Shi’s poems as a guiding thread and explores the conceptual spirit and practical significance reflected in four works: The Cold Food Observance, The Complete Works of Su Dongpo: An Account of Paintings at Jingyin Temple, and Xiaoxiang Bamboo and Stone Map, analyzing them from an artistic perspective. It strives to reveal the profound humanistic sentiments Su Shi evoked in the vast, ever-changing world, as well as the pure and exquisite poetic and pictorial beauty he bestowed upon it.
Wang S, Zhu G, 2005, Selected Essays on Su Shi’s Poetry, Shanghai Ancient Books Publishing House, Shanghai.
Chen K, Cai Q, 2022, Examination of Su Shi’s “Homecoming Post”: A Study on the Drafting of the Fuzheng Gong Shendao Tablet. Journal of Nanjing University of the Arts (Fine Arts and Design), 203(05): 9–15.
Wang X, 2018, “Cursive Samadhi” and the Song Dynasty’s “Yi Brush and Ink Play” Painting Style: Focusing on Su Shi’s “Dead Wood and Strange Stones.” South Wind, 467(Z1): 98–103.
Chen X, 2020, On the Embodiment of Poetry in Chinese Calligraphy Works: A Case Study of Su Shi’s Huangzhou Cold Food Post. Journal of Beijing Institute of Graphic Communication, 28(07): 7173.
Ma L, 2018, Exploring the Taoist Theory of Artistic Existence from Su Shi’s Discussion of the “Common Sense” of Things. China Su Shi Research, 2018(02): 14–26.
Xi X, 2011, Deng Tuohui’s Eye-Catching Pearls and Sky-High Collection of Su Shi’s “Xiaoxiang Bamboo and Stone Map” - He Donated This Unique Book to the National Art Museum of China. Oriental Collection, 23(08): 84–86.