Keywords
Religious play of “Ascendant Peace in the Four Seas”
Tune
Domestication and foreignization
Submitted : 2025-03-29
Accepted : 2025-04-13
Published : 2025-04-28
Abstract
Translation aesthetics provides a new approach to translation studies on Opera. From the perspective of translation aesthetics, this paper studies the translation strategies in the process of C-E translation taking as an example the eight tunes in manuscripts of Ascendant Peace in the Four Seas, a well-known religious play of Kun Opera of Zhejiang and Anhui province, maintaining that tunes translation mainly adopts foreignization, supplemented by domestication.
References
Feng Q, 2002, Practical Translation Tutorial. Shanghai Foreign Language Education Press, Shanghai, 3.
Zhu L, 2019, The Current Situation, Problems, and Countermeasures of English Translation of Chinese Kunqu Opera. Foreign Language Teaching, 2019(5): 88.
Cao G, 2011, Research and Translation of Traditional Chinese Drama in the English-Speaking World. Guangdong Higher Education Press, Guangzhou, 449–474.
Birch C, 1970, Translating and Transmuting Yuan and Ming Plays: Problems and Possibilities. Literature East & West, 14(4): 491–509.
Bassnett S, 1985, Ways Through the Labyrinth: Strategies and Methods for Translating Theatre Texts. The Manipulation of Literature: Studies in Literary Translation, Croom Helm Ltd, New York, 85.
Li W, 2015, A Biography of Existing Kunqu Opera Tribute to the Gods in Zhejiang Anhui (Southern) Region. Chinese Musicology, 2015(3): 83–89.
Feng G, 2004, The Carrier of Traditional Chinese Music Dissemination and Unique Music Creation Thinking in Tune. Journal of Xinghai Conservatory of Music, 2004(1): 1.
Katan D, 2004, Translating Cultures. Shanghai Foreign Language Education Press, Shanghai, 125.
Venuti L, 1995, The Translator’s Invisibility: A History of Translation, Routledge, London/New York, 19–20.
Tu Z, 2000, Outline of Poetry, Prose, and Rhythm, Tianjin People’s Publishing House, Tianjin, 153.
Chen G, Li G, 2008, Reconstructing Gestalt Imagery: Aesthetic Dimensions of Drama Translation. Journal of Zhejiang University (Humanities and Social Sciences Edition), 2008(1): 184–191.
Su F, 2016, Translation and Introduction of Opera Texts: The Convergence of Eastern and Western Cultures. Journal of China Academy of Chinese Opera, 2016(3): 97–98.