Abstract
Abstract: The semi-autobiographical novel Waterland by twentieth-century British writer Graham Swift has been recognized as a popular work by British literary critics. Under the guidance of Mikhail Bakhtin's theory of the literary chronotope, this paper analyses both the various types of chronotope in the novel as well as the author's historical view between different times and spaces through the dialogue.
References
Bakhtin, Mikhail. The Complete Works of Bakhtin (Volume III). (trans. Bai Chunren & Xiaohe). Hebei Education Press, 1998.
Pan Yueqin. “A Preliminary Study of Bakhtin’s Theory of Chronotopeâ€. Russian Art, No. 3, 2005, pp. 60-63.
Zhang Xiaofeng. “Chronotopeâ€. Foreign Literature, No. 2, 2018, pp. 87-96.
Swift, Graham. Waterland. (trans. Guo Guoliang) Yilin Press, 2009.
Xiaohe: “Bakhtin’s Chronotope Theoryâ€. Soviet Literature, Vol. 1, 1991, pp. 7.