Keywords
Semiotics
Symbolic meaning
Artistic characteristics
Historical development
Submitted : 2024-11-03
Accepted : 2024-11-18
Published : 2024-12-03
Abstract
This article focuses on the symbols and symbolic meanings of Chinese ink graphics, aiming to deeply explore the artistic characteristics of ink graphics and the cultural connotations they carry. By analyzing the origin, development, and representative works of ink graphics in various historical periods, this study reveals the symbolic features and meanings of ink graphics. Adopting a qualitative research method, the study applies the theory and methodology of semiotics to the research of ink graphics through a literature review. By visually analyzing artists’ works, the study combines the artistic value and cultural value of ink graphics, providing readers with a new aesthetic experience and research perspective.
References
Wang YF, 2023, A Brief Discussion on the Application of Ink Elements in Modern Poster Design. Mingri Fengshang, 2023(22): 94–96.
Liu FQY, 2023, Research on the Application of Chinese Traditional Ink Elements in Indoor Space Design. Daguan, 2023(7): 69–71.
Yang YT, 2023, Practical Application of Ink Elements in Cultural and Creative Product Packaging Design, thesis, Tianjin University of Technology. https://doi.org/10.27360/d.cnki.gtlgy.2023.000923
Li M, Jin YX, 2019, The Application and Influence of Ink Language in Graphic Creativity. Chinese Traditional Painter, 2019(2): 59–60.
Yin YMZ, 2022, Innovative Expression of Ink Graphic Language in the Era of Media Integration, thesis, Lu Xun Academy of Fine Arts. https://doi.org/10.27217/d.cnki.glxmc.2022.000243
Chiang YT, 2018, National Taiwan Normal University (Taiwan region). ProQuest Dissertations Publishing, 27716027.
Ni H, 2022, New Ideas for Inheriting Traditional Opera Arts in the New Media Era — Taking the Cantonese Opera Film the Tale of the White Serpent-Passions for Example. The Journal of Xinyang Normal University (Philosophy and Social Science Edition), 42(5): 100–105.
Xia ZY, 2021, A Comparison of the Two Historical Narrative Approaches to Qi Baishi’s “Late Life Transformation”. Theoretical Studies in Literature and Art 41(1): 105–115.
Liu XM, 2024, How Illustrations of Dramatic Texts Come to Be Possible? Theoretical Studies in Literature and Art, 43(5): 11–21.
Wang JK, 2014, Leading the Classics to Contemporary Readership: The Popular Approaches to Chinese Literature in English Translation. Contemporary Foreign Languages Studies, 14(10): 49–54.
Jiang YH, 2015, Sound and Listening as a Figurative Narration. Theoretical Studies in Literature and Art, 35(3): 146–155. https://tsla.researchcommons.org/journal/vol35/iss3/17
Li QB, 2012, On the Four Dimensions of Cross-Cultural Aesthetic Appreciation. Theoretical Studies in Literature and Art, 32(1): 17–21.
Cui ZJ, 2017, Investigation on Chinese Elements in Cover Pictures of Top Scientific Journals. Chinese Journal of Scientific and Technical Periodicals, 28(2): 99–104.