The most popular 3D animation garage kits are SD dolls and ball-jointed dolls (BJDs), which are shaped like 3D figure sculptures. Since garage kits such as SD and BJD are expensive, new materials such as PVC and clay have been introduced as there are still many fans. This paper takes the antique clay-making garage kit, “Sound of Pipa,” as an example and elaborates its design, production, as well as optimization ideas and methods to provide reference for beginners to create 3D garage kits. The garage kit industry, on the other hand, should pay close attention to the latest developments in technology and materials, both at home and abroad, and incorporate them into the creation and production of works on a regular basis.
Sougou, 2010, Garage Kit, Sogou Encyclopedia. https://baike.sogou.com/v430263.htm?fromTitle=%E5%8A%A8%E6%BC%AB%E6%89%8B%E5%8A%9E (Accessed on January 28, 2022).
Liu S, 2018, Analysis on the Expansion of “Figure” Sculptures in the Domestic Market. Daguan, 2018(08): 46.
360 Encyclopedia, 2015, The Ball-Jointed Doll of the Japanese Company Volks, so.com. https://baike.so.com/doc/5378007-5614174.html (Accessed on January 28, 2022).
Chu Q, 2020, Dynamic Presentation Function of Static Works – Take Liudao Group Works as an Example. Comedy World, 2020(8): 142.
Ju Q, 2016, Visual Communication of Animated Character Action. Research on Fine Arts Education, 2016(5): 107.
Shu S, 2019, Modeling and Making Skills of Puppet Image Design. Popular Literature and Art, 2019(21): 84.
Wu Y, Li Y, Luo X, 2012, Design Composition. Northeast Normal University Press, 2012(12): 152.
Ao F, 2017, Color Psychology in Tea Packaging Design Applied Research. Fujian Tea, 2017(09): 107.
Liu X, 2018, Research on Garment Pattern Processing Based on Digital Media Technology. Dyeing and Finishing Technology, 2018(07): 65.
Yu G, 2019, Easily Understand the Psychology of Color, Sichuan University Press, 1: 178
Qiu G, 2016, Image Thinking and Image Modeling in Chinese Painting. Beauty and Time, 3(3): 120.
Zheng Y, 2021, A Philosophical Inquiry into Huo Qubing’s Tomb Carvings. Rich Brocade, 2021(25): 79.
Li X, 2010, Design and Production of Apparel. Chongqing University Press, 9: 119.
Qiu G, 2019, On the Traditional Ceramic Sculpture Art of Line Art Analysis. A Grand View of Art, 2019(02): 210.
Zhu X, 2018, On the Expression of Intention in Fine Brushwork Creation. Beauty and Time, 2018(11): 121.
Yang Y, Yang C, 2021, Condensation and Reconstruction: The Spiritual Expression of Pang Maokun’s Sketch. Art Observation, 2021(06): 77.
Li Y, Ye Y, 2020, Study on the Form and Connotation of Blank Space in Poetic Animation. Popular Literature and Art, 2020(13): 92.
Zhang L, Yin W, He L, et al., 2011, Decorative Colour. Liaoning Fine Arts Publishing House, 5: 81.
Wang T, Tu S, 2020, The Art of Paper Carving in Installation Design. Popular Literature and Art, 2020(20): 233.
Cheng Y, 2019, On the Reference of Traditional Handicraft to Modern Design and Fusion Innovation. Popular Literature and Art, 2019(21): 152.