Keywords
Vague language
Song of a Pipa Player
Submitted : 2025-06-07
Accepted : 2025-06-22
Published : 2025-07-07
Abstract
The extensive use of vague language in Chinese classical poetry poses significant challenges for translation. Xu Yuanchong’s English translation of Song of a Pipa Player focuses on reconstructing and reproducing the poem’s imagery, striving to convey its linguistic and rhythmic beauty. This paper analyzes the English translation of vague language in Song of a Pipa Player based on deconstruction translation theory. The theory emphasizes the importance of context and the translator’s subjectivity, providing valuable guidance for translating vague language in Tang Dynasty poetry.
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