In the context of global pluralistic development, the trend of convergence among different art forms has become one of the most prominent characteristics in today’s cultural and artistic fields. From the cultural phenomenon of “poetry-painting integration” during the Warring States period to the current “synthesis of arts” in digital art, these developments reflect the mutual influence, complementarity, and cross-pollination among diverse artistic forms, resulting in a shared evolution of artistic expression. The fusion of multiple art forms is bound to propel the advancement of the cultural and artistic landscape, continuously enriching the expressive power of artworks and deepening their conceptual resonance.
Wang S, 2025, On the Visual Representation of Musical Symbols in Caravaggio’s Paintings. Famous Artists and Works, 2025(30): 86–89.
Du H, 2025, From Classical to Modern: Form and Emotional Expression in Music and Painting. China National Exposition, 2025(12): 196–198.
Tian N, 2025, Reconsidering the Kinship between Music and Literature: A Review of “Music in Words: Musical Forms and Counterpoint in 20th-Century Novels”. Ethnic Music, 2025(02): 74–77.
Xiang X, 2025, The Humanistic Spirit of Ancient Chinese Literati Music. Xiujiangnan, 2025(06): 100–105.
Zhou X, 2025, The Isomorphism between Chinese Literati Painting and Poetry. Art Education Research, 2025(03): 27–29.
Jumalipu M, 2024, The Music in Painting—Music Expression in Chinese Painting. Craftsmanship, 2024(05): 81–83.
Ren J, 2021, Exploring the Music of Chinese Literati and Its Core Connotations. Contemporary Music, 2021(07): 179–181.
Huang C, 2021, A Study on the Music Literature of Literati in the Middle and Late Tang Dynasty. Literary Controversies, 2021(02): 182–184.
Liang M, 2019, A Brief Discussion on the Music of Ancient Chinese Literati. Northern Music, 39(22): 218–219.
Dai X, 2015, A Brief Discussion on the “Expressive Beauty” of Classical Chinese Literati Music. Journal of Hubei Minzu University (Philosophy and Social Sciences Edition), 33(05): 59–63.
Li W, 2012, On the “Musicality” of Chinese Literati Painting. Northern Literature (Second Half), 2012(04): 73.
Tian X, 2009, On the Relationship between Musical Art and Painting Art. Anhui Literature (Second Half), 2009(08): 102.
Kou Y, 1986, Poetry with Painting and Poetry with Sound: On the Aesthetic of Painting and Music in Wang Wei’s Poetry. Journal of Guizhou University (Social Sciences Edition), 1986(03): 34–42.